This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
You are welcome to contact me to discuss ideas, commissions and projects.
I always aim to get back to you as soon as I can, certainly within 24 hours.
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