Sculpture & Installation
This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
Sculpture & Installation
This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
Sculpture & Installation
Sculpture & Installation
This series, entitled InOrganics, focuses on the transformation of everyday materials to mimic ethereal, often organic structures. The fragility of ourselves - and our world - are represented in their qualities.
InOrganics work is often abstract and experimental, a constant negotiation between maker and materials where outcomes can be influenced, but never entirely controlled.
Developments of these themes consider the body as ‘place’ - the location of memory and emotion – where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
Sculpture and Installation
Diana focuses on the transformation of everyday materials to mimic ethereal, often organic structures. Processes include crafting methods and heat treatment .
Wherever possible materials are recycled and repurposed to reduce adverse environmental impact.
Developments consider the body as ‘place’ - the location of memory and emotion - where sculptural work becomes costume, reflecting upon the personal impact of both individual and global concerns.
Seeds of Hope 2022. Commissioned by Surrey Hills Arts - photo credit Nigel Emery
Found wood cuttings, recycled yarn made in collaboration with participants of all abilities.
Symbiosis Dress
Recycled, crocheted yarn, Spirit of Place 2022
Thames Lock
Graphite on Canvas, Spirit of Place 2022
Swimming , London Commissioned by Young Vic Theatre and We Are Waterloo
Woven plastics, recycled packaging to raise environmental awareness locally.
Fragile Robe
PVA, hot glue, heat treated plastics
Commissioned by Livia Rita for Rewild multi-disciplinary performances, London.
Gravitation Espacio Gallery, London Heat treated plastics
Gravitation West Dean, West Sussex
Genesis II
Knotted fishing line, west window light - Guildford Cathedral, Surrey.
Torrent Poured PVA Martyrs' Gallery East Sussex.
Fragmental Heat treated mylar Mirror Gallery.
Desire Lines II Hot Glue, Graphite on Fabriano, Shadow
Decay Coat Heat Treated Plastics, recycled garment Forest Arts Centre.
